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"The Sumer Canon: A New Revision." Speculum 63 (1988): 1-21.
A companion to the Middle English lyric. Cambridge; Rochester, NY: D.S. Brewer, 2005.
"Poetry by Accident? Middle English Lyrics from Latin Sources." In The Medieval Translator, edited by R. Ellis and R. Tixler. Brepols, 1996.
"Textual Notes on Two Early Middle English Lyrics." Neuphilologische Mitteilungen 93 (1992): 109-20.
"Review of Medieval English Songs by E.J. Dobson and Frank L. Harrison." Medium Ævum 50 (1981): 338-41.
"'Quid Hinieldus Cum Christo?': The Secular Expression of the Sacred in Old and Middle English Lyrics’." In Sacred and Secular in Medieval and Early Modern Cultures: New Essays, edited by Lawrence Besserman, 29-46. Palgrave Macmillan, 2006.
"The Maid in the Moor and the Rawlinson Text." The Review of English Studies 47 (1996): 151-162.
"Two Middle English Penitential Lyrics: Sound and Scansion." In {Late-Medieval} Religious Texts and Their Transmission, edited by A. J. Minnis, 55-65. Cambridge, 1994.
"The Text and Verse-Form of 'Adam Lay I-Bowndyn'." The Review of English Studies 38 (1987): 215-221.
Late medieval English lyrics and carols, 1400-1530. London: Penguin, 2000.
Medieval English lyrics 1200-1400. London: Penguin, 1995.
"Review of Words and Music in the Middle Ages: Song, Narrative, Dance and Drama, 1050-1350 by John Stevens." Review of English Studies 39 (1988): 531-3.
"Bodleian Library MS Arch. Selden B.24: A "Transitional" Collection." In The Whole Book: Cultural Perspectives on the Medieval Miscellany, edited by Siegfried Wenzel and Stephen J. Nichols, 53-67. Ann Arbor, 1996.
"Words and Music in Two English Songs of the Mid-15th Century: Charles d'Orléans and John Lydgate." Early Music 5 (1977): 38-43.
John the Blind Audelay, Poems and carols : (Oxford, Bodleian Library MS Douce 302). Kalamazoo: Western Michigan University, 2009.
"The Lyrics of MS Harley 2253." In A Manual of the Writings in Middle English, 1050-1500, edited by Peter Beidler, 4186-4206, 4311-4361. Vol. 11. New Haven, {CT}: Connecticut Academy of Arts and Sciences, 2005.
"The Early Thirteen-Line Stanza: Style and Metrics Reconsidered." Parergon 18 (2000): 97-126.
"Roll or Codex? The Diptych Layout of Thomas of Hales’s Love Rune." Trivium 31 (1999): 13-23.
"Twelve-Line Stanza Forms in Middle English and the Date of Pearl." Speculum 72 (1997): 367-398.
"Death and the Colophon in the Audelay Manuscript." In My Wyl and My Wrytyng: Essays on John the Blind Audelay, 294-306. Kalamazoo Mich: Medieval Institute Publications Western Michigan University, 2009.
"Compilation and Purpose in MS Harley 2253." In Essays in Manuscript Geography: Vernacular Manuscripts of the English West Midlands from the Conquest to the Sixteenth Century, edited by Wendy Scase, 67-94. Turnhout: Brepols, 2007.
"Life and Death, Reader and Page: Mirrors of Mortality in English Manuscripts." Mosaic 35 (2002): 69-94.
"A Saint "Geynest under Gore": Marina and the Love Lyrics of the Seventh Quire." In Studies in the Harley Manuscript, edited by Susanna Fein, 351-76. Kalamazoo, 2000.
Moral love songs and laments. Kalamazoo Mich.: Published for TEAMS in association with the University of Rochester by Medieval Institute Publications Western Michigan University, 1998.
"John Audelay and His Book: Critical Overview and Major Issues." In My Wyl and My Wrytyng: Essays on John the Blind Audelay, 3-29. Kalamazoo Mich: Medieval Institute Publications Western Michigan University, 2009.
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